A Thought for Monday. . .

I found this lovely quote today and wanted to share it with all of you!

 

“Every secret of a writer’s soul, every experience of his life, every quality of his mind, is written large in his works.”
—Virginia Woolf

 

Write large my friends. Write large-  Patti

 

And don’t forget my Back-to-School Critique special going on now!

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PGWRites Critiques Back-to-School Picture Book Special!

Happy fall everyone! I took a couple of months off from posting for some much-needed R & R, and enjoyed getting images (1)together with friends and family members over the summer. I hope you and yours spent time soaking up the summer sun and making some great memories! School started in my community the day after Labor Day, but I know many of you got started even earlier. I have a high-school senior this year and a college sophomore, so we’re buckling our seat belts for a great year of surprises and celebrations.

In the spirit of learning and getting back to work, I’m offering a back-to-school picture book critique special. From now through September 30th, participants will receive 25% off the regular price of a PGWRites Critique. That’s a $50 value for only $37.50!

Your personalized PGWRites picture book critique includes: 

  1. Line-by-line markup of your manuscript with edits and suggestions. (Using track changes)
  2. A one-page written critique with a detailed explanation of the manuscript mark-up.
  3. A list of the strengths/weaknesses of the manuscript from my perspective, as well as a list of guided questions to help with the revision process.
  4. Answers to your questions about the critique in one follow-up email.

That’s right! All of this for the low price of $37.50! Now that’s what I call a bargain.

Simply visit the PGWRites Critiques tab here at Sensibility and Sense and follow the instructions for payment/submission and in two to three weeks you’ll receive your completed critique!

So get those stories dusted off and sent in. I can’t wait to read your awesome picture book manuscripts!

Happy Writing!

Patti

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It’s a BOGO Picture Book Critique Special!

Hey, all you picture book writers out there! Looking for a way to jump-start a summer writing project or take your current work-in-progress to the next level? Then I have a deal for you! Starting M…

Source: It’s a BOGO Picture Book Critique Special!

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It’s a BOGO Picture Book Critique Special!

Hey, all you picture book writers out there! Looking for a way to jump-start a summer writing project or take your current work-in-progress to the next level? Then I have a deal for you! Starting M…

Source: It’s a BOGO Picture Book Critique Special!

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It’s a BOGO Picture Book Critique Special!

Get that picture book manuscript ready to send in! The BOGO Critique Special starts Monday!

Sensibility and Sense

Hey, all you picture book writers out there!

shutterstock_367865831

Looking for a way to jump-start a summer writing project or take your current work-in-progress to the next level? Then I have a deal for you!

Starting Monday, June 13 through Friday, June 24, purchase one PGWRites Critique and you’ll receive a second critique of a different manuscript absolutely free! Yep, you heard it. Absolutely free!

How to Submit 

Simply click on the PGWRites Critiques tab above between June 13-24, follow the submission and payment instructions, and you’ll receive a second PB critique at no additional charge (a $50 value- good for up to one year).

!SHARING BONUS!  !SHARING BONUS!  !SHARING BONUS!

But wait, there’s more! Anyone who shares this post via Facebook, Twitter, Google+ or Linked In by Noon on Friday (June 10) and sends me the link in an email with their PB submission gets a free “second look” on their…

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Aside

It’s a BOGO Picture Book Critique Special!

Hey, all you picture book writers out there! Looking for a way to jump-start a summer writing project or take your current work-in-progress to the next level? Then I have a deal for you! Starting M…

Source: It’s a BOGO Picture Book Critique Special!

Aside

It’s a BOGO Picture Book Critique Special!

Hey, all you picture book writers out there!

shutterstock_367865831

Looking for a way to jump-start a summer writing project or take your current work-in-progress to the next level? Then I have a deal for you!

Starting Monday, June 13 through Friday, June 24, purchase one PGWRites Critique and you’ll receive a second critique of a different manuscript absolutely free! Yep, you heard it. Absolutely free!

How to Submit 

Simply click on the PGWRites Critiques tab above between June 13-24, follow the submission and payment instructions, and you’ll receive a second PB critique at no additional charge (a $50 value- good for up to one year).

!SHARING BONUS!  !SHARING BONUS!  !SHARING BONUS!

But wait, there’s more! Anyone who shares this post via Facebook, Twitter, Google+ or Linked In by Noon on Friday (June 10) and sends me the link in an email with their PB submission gets a free “second look” on their paid picture book critique submission (a $25 value). So with the BOGO and the SHARE,  you’ll receive two picture book critiques plus one “second look” all for the low price of $50! Wow!

What’s so Special about a PGWRites Critique?

A PGWRites Critique goes above and beyond many picture book critiques by providing line edits, in-MS notes, a one-page explanation of those notes as well as a list of guiding questions for revision, all for the low price of $50. I’m so sure you’ll love my services that I’m throwing in an extra critique for free and a second look just for sharing this information with a friend.

So what are you waiting for? (Besides Monday, of course:) You’ve got just a few days to dust off that manuscript and get it ready for a fresh set of eyes and a new perspective! I’m looking forward to reading some great stories and helping make them even better!

Happy Writing!

Patti

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RhyPiBoMo 2016 Day 13 Author Linda Sue Park

Love today’s RyPiBoMo post by Linda Sue Park!

Angie Karcher

 trumpets

Did you read and comment on all the blog posts last week?

These folks did! Congratulations!

Week 2 Prize Winners

Day 8-Monday: Autographed Copy of BAKING DAY AT GRANDMA’S by Anika Denise

Winner: Deirdre Englehart

Day 9-Tuesday: Autographed Copy of MONSTER GOOSE NURSERY RHYMES by Henry Herz

Winner: Aimee Haburjak

Day 10-Wednesday: Copy of WOULD A WORM GO ON A WALK by Hannah C. Hall Donated by Sally Apokedak

Winner: Anne Iverson

Day 11-Thursday: Autographed Copy of OUTER SPACE BEDTIME RACE by Rob Sanders

Winner: Debbie Vidovich

Day 12-Friday: RPB Revolution Conference Recording ($50.00 value)

Winner: Anne Bielby

Prize winners, please email (Angie.karcher@yahoo.com) or message me with your contact information. Typically, the books will be mailed directly from the author, so please allow a few weeks. If you haven’t received your prize by the end of April, please let me know. 

Rhyming Critique Groups

If you expressed interest…

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Operation, Sloths, and Finding the Joy

Absolutely love this post from Amy Dixon about the writing life. We all face these days, weeks, months (years), when the destination feels so far and the journey isn’t as sweet as we’d imagined. But realizing no two people have exactly the same story and that you do you better than anyone else can help. Thanks Amy!

Sub It Club

operationWhen I was 8 years old, there was nothing I wanted more than the board game, OPERATION. It just looked so fun, with the tweezers and tiny organs, and the wonderfully startling BZZZZZZZ! that would happen when you made a mistake. I truly thought, that if I only had OPERATION, my life would be complete. On Christmas morning, I was thrilled to wake up and find it underneath the tree in all its red-nosed, anatomically-incorrect, naked-man glory. It only took a couple of times playing it to realize that it was much harder than it looked. Only the steadiest of hands could grab that miniature wishbone. And don’t get me started on the writer’s cramp. Impossible! The buzzing that looked so funny on the commercials quickly became annoying and tiresome. And, let’s be honest…a little bit hazardous! Were those actual electric shocks making my fingers tingle?

When we’re little, we…

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Why I Love LAST STOP ON MARKET STREET

In an usual turn of events, the top U.S. prize in children’s literature, the Newbery Medal, recently went to a picture book! Unusual, because the Newbery focuses solely on the quality and message of a story and not the pictures. LAST STOP ON MARKET STREET, written by Matt De La Pena and illustrated by Christian Robinson (G.P. Putnam’s Sons Books for Young Readers), is the story of a boy, CJ, and his Nana and the beauty, color and energy she helps him to see in the city around him. It’s a feast for the senses in both picture and story, as CJ’s eyes are opened to people and places he might not otherwise see if it weren’t for Nana’s wisdom and special way of looking at the world.

But how did this 760-word picture book (yes, I counted) manage to get the attention of the Newbery committee this year and come out on top? I would venture to say- not because I’m an expert, just a student of this genre who is always looking for reasons why to love a particular book- it’s the practically perfect and musical use of words and story-telling techniques that get the message of this piece across so clearly and vividly. Basically, you could hear this story read aloud with your eyes closed and still “see” what the author wanted you to see even without the pictures!

Now that’s not to say that the pictures are not equally as powerful to this piece as the words, but since we’re talking about the Newbery here, the story must work on its own.

But for those of us who write picture books, this honor sends somewhat of a mixed message (stay with me here, I’m getting to the point). In almost every workshop, class and seminar designed for picture book writers, we hear, “Leave room for the illustrator to tell the story through pictures,” “Don’t do the illustrator’s job,” “Don’t give away too much so the illustrator has room to create.” We hear it from editors, agents and even from other picture book authors. And all of those things are very true. However, in this case, Matt De La Pena writes a story that sings from beginning to end and does it so perfectly a reader might actually see exactly what the illustrator depicted even if he or she had never seen the pictures. That’s the power of his words and the magic that every writer/illustrator team hopes to achieve with a picture book.

For example, if you look on the very first pages you’ll read, “The outside air smelled like freedom, but it also smelled like rain, which freckled CJ’s shirt and dripped down his nose.” Did the author need to say the rain freckled CJ’s shirt and dripped down his nose? I mean, the illustrator could have just shown that instead. But having those words there, in my opinion, gave the illustrator complete freedom to set the rest of the stage. To put in the tree and the buildings and CJ and Nana walking down the steps of the church. To give the reader a true sense of place so that Nana and CJ’s story could continue, completely unhampered by the need to say more.

And each page does the same work. We read about Nana’s umbrella, and water pooling on flower petals and the bus creaking to a stop in front of them and sighing and sagging as the doors opened…absolutely beautiful and necessary words even though the pictures are also there to create an even richer environment in which the story can unfold.

Why does this excite me? Because I’m a lover of words. I love the music they make when they string together in just-right ways. I love the emotions they convey and the power they have to heal and hurt, teach and tease. I love the laughter they evoke and even the tears, because those things are real and in everyone and for everyone, no matter how young or old. Nana teaches these things to CJ while on their journey, and without her powerful words, guiding him at every step, he would not be able to draw the conclusions he draws about the world around him and the people in it. I want the stories I write to sing in this way, and the fact that this picture book received this well-deserved honor means there’s still room for people like me who like a story that works. Stories that work make room for pictures that make the story sing even louder and more beautifully.

So here’s to perfect picture books! LAST STOP ON MARKET STREET fits that description in every way.


Sensibility- Words have power. Use them to inform, enlighten and uplift rather than to tear down and destroy.

Sense- Take an honest look at your stories. Ask yourself if they work even without pictures, and make revisions accordingly.


 

What are some practically-perfect picture books you enjoy reading?

 

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